Body Work: Objects of Desire in Modern Narrative - Peter Brooks

In a book that ranges widely through literature and painting, Brooks shows how the imagination strives to bring the body into language and to write stories on the body. Peter Brooks argues that modern narrative is intent on uncovering the body in order to expose a truth that must be written in the flesh. 

This major book entertains and teaches: Brooks presumes no special knowledge on the part of his readers. His account proceeds chronologically from Rousseau in the eighteenth century forward to contemporary artists and writers. Body Work gives us a set of analytical tools and ideas-primarily from psychoanalysis, narrative and film studies, and feminist theory-that enable us to read modern narrative afresh.

The desire to know the body is a powerful dynamic of storytelling in all its forms. 

From Rousseau, Balzac, Mary Shelley, and Flaubert, to George Eliot, Zola, Henry James, and Marguerite Duras, from Manet and Gauguin to Mapplethorpe, writers and artists have returned in fascination to the body, the inescapable other of the spirit. 

It is the sexual body that furnishes the building blocks of symbolization, eventually of language itself-which then takes us away from the body. Brooks shows how and why the female body has become the field upon which the aspirations, anxieties, and contradictions of a whole society are played out. And he suggests how writers and artists have found in the woman's body the dynamic principle of their storytelling, its motor force. 

Preface 

1 Narrative and the Body 

2 Invasions of Privacy: The Body in the Novel 

3 Marking Out the Modern Body: The French Revolution and Balzac 

4 The Body in the Field of Vision 

5 Nana at Last Unveil'd? Problems of the Modern Nude 

6 Gauguin's Tahitian Body 

7 What Is a Monster? (According to Frankenstein) 

8 Talking Bodies, Delicate Vessels 

9 Transgressive Bodies 

Notes 

Index